FEED ME LIBRARY

FEED ME has the potential to be overwhelming, so we have provided this page to serve as a library of suggested settings for you to try in your setup. If you would like to contribute some of your favorite settings to the FEED ME Library, please email us the following:

1. your settings on your FEED ME
2. a description of what the setting does in your setup
3. a name of the setting.

We’ll update the page with your setting as soon as we can! Thank you for your contribution.

 

tonesweepkey

 

My Tubes Won’t Scream
Sometimes, those mid-heavy screamers don’t let you feel full while still accentuating mids. This should fix that!
White 10 Blue 11
Red 2 Grey 12

REPLICATION OF A TRIANGULAR FUZZ
The slight mid scoop in the higher mids allows you to feel somewhat present in a mix without overtaking your bandmates. Lows stay low, highs stay high.
White 6 Blue 1
Red 9 Grey 5

REPLICATION OF A RAM DUDE FUZZ
THIS TONE STACK HAS A LESS OF A MID SCOOP COMPARED TO THE TRIANGULAR FUZZ TONE STACK, BUT STILL HAS A HEAVY SIZZLE.
White 8 Blue 1
Red 9 Grey 5

REPLICATION OF AN 1800s WAR FUZZ
THE UPPER MIDS ARE SCOOPED LESS THAN THE RAMMING OR PURPLEISH TONE STACKS. FEELS MORE FULL IN A MIX, ESPECIALLY ON BASS.
White 8 Blue 1
Red 9 Grey 3

REPLICATION OF A GREEN FUZZ
A LITTLE DEEPER OF A MIDSCOOP THAN THE 1800s WAR TONE STACK.
White 9 Blue 5
Red 9 Grey 3

REPLICATION OF A BLACK FUZZ
A SLIGHTLY DEEPER MIDSCOOP THAN THE GREEN FUZZ TONE STACK.
White 9 Blue 5
Red 9 Grey 4

REPLICATION OF A CHIPPY FUZZ
TREBLE ROLLOFF IN ALL SETTINGS, HEAVY LOW MIDS SCOOP. LOW END, AGGRESSIVE TONE STACK.
White 12 Blue 8
Red 4 Grey 11

REPLICATION OF A 3rd VERSION FUZZ
LESS OF A MID SCOOP MEANS A MORE EVEN KEELED MIX.
White 1 Blue 5
Red 9 Grey 5

REPLICATION OF A REISSUED FUZZ
LESS DRAMATIC UPPER MIDS SCOOP THAN THE GREEN VERSION.
White 8 Blue 5
Red 9 Grey 4

GREY STACHE FUZZ TONE STACK
PRESENT MIDS THROUGHOUT KEEPS YOU HIGHER IN THE MIX.
White 1 Blue 1
Red 1 Grey 1

BOBBY LOVES LOW MIDS, MAN
CHECK OUT THAT LOW MID PROFILE! MIDS THROUGHOUT AND BIG BASS AND MIDS WITH THE TONE KNOB COUNTERCLOCKWISE.
White 1 Blue 3
Red 5 Grey 5

LOW MIDS SCOOP
DRAMATIC LOW MIDS SCOOP IN ALL BUT THE BASSY SETTING. EMPHASIZES UPPER MIDS AND TREBLE.
White 10 Blue 9
Red 10 Grey 2

ALL ABOUT THAT BASS…OR TREBLE
AT COUNTERCLOCKWISE IT’S ALL BASS AND MIDS. AT CLOCKWISE, IT’S ALL TREBLE. AT NOON, BASS AND MIDS ARE FAVORED.
White 12 Blue 10
Red 12 Grey 12

1kHz Boost The 1kHz bump lets you stay present in the mix. White 7 Blue 11 Red 11 Grey 12

1kHz BOOST
Push forward in the mix and don’t get buried.
White 7 Blue 11
Red 11 Grey 12

BDPG
This is our discontinued BDPG tone sweep. Setting your tone knob around 11:00 is KILLER!
White 12 Blue 10
Red 12 Grey 12

FLAT MIDS
Pull off bass or treble while leaving the mids as is.
White 1 Blue 1
Red 12 Grey 3

CAN YOU HEAR ME NOW?! (Greg Sturmon)
NICE LOW + HIGH MID BUMP AND MAKES ONE’S LOW END SUPER PUNCHY AND THE HIGHS SHINY.
White 11 Blue 2
Red 6 Grey 12

BAD ASS (Greg Sturmon)
LOW MIDS AND BASS EMPHASIS. SLIGHT BASS ROLLOFF W/ TONE CLOCKWISE.
White 11 Blue 12
Red 6 Grey 6

NICE N TIGHT, ROUND YET HIGH (Greg Sturmon)
TREBLE BITE THAT LEAVES THE REST OF THE SIGNAL FEELING UNAFFECTED.
White 4 Blue 4
Red 4 Grey 5

EARLY MORNING (RUSS KNOEBEL)
LOW MIDS AND FULL BASS EMPHASIS. GUITAR LIKE CRISPNESS WHEN PLAYED HIGHER ON NECK OF A BASS.
White 7 Blue 5
Red 5 Grey 9

PLUS SIZE WHALER (ANDY WESTWOOD)
SMOOTH MIDS BUMP.
White 11 Blue 12
Red 6 Grey 11

PROTUBERANCE ON A LEVEL SURFACE (Jack Nelson)
GOOD SWEEPABLE BUMP AT EACH TONE KNOB SETTING.
White 1 Blue 12
Red 1 Grey 1

6666, Satan’s Little Helper (Jack Nelson)
FULL BASS ALL THE TIME WITH ONLY TREBLE ROLLOFF. COMPLETELY FLAT CLOCKWISE.
White 6 Blue 6
Red 6 Grey 6

CLEANER HIGHS (ANDY PGS)
HIGHS FEEL LESS AFFECTED. BIG NOTCH IN LOW MIDS.
White 10 Blue 9
Red 1 Grey 1

GROWLING MIDS (ANDY PGS)
SMOOTH MIDS BUMP.
White 4 Blue 12
Red 3 Grey 9

TOP BOOST (WESLEY PHELPS)
Bass and mids are flat while upper mids and treble are accentuated. All bass/mids ccw and all high end with a smooth roll off cw.
White 9 Blue 10
Red 12 Grey 11

MORE EVERYTHING (WESLEY PHELPS)
Exactly how it sounds. Treble roll off ccw and bass roll off cw.
White 7 Blue 10
Red 5 Grey 11